The photographs from Arrival’s Paris opening on 4 September 2026 show an exhibition as a shared experience: artworks on the walls, visitors moving through the room, and conversations unfolding around them.

Look beyond a single artwork
An installation photograph tells you something an isolated artwork image cannot. It shows scale, viewing distance and the relationship between pieces. In the Paris archive, you can follow how visitors encounter works within the room. Use the archive as a way to picture the experience of visiting, while remembering that the arrangement changes from exhibition to exhibition.
Notice how you spend your attention
At a group show, try choosing one piece that draws you in immediately and another that takes longer. Move closer where appropriate, then step back. Notice how a colour, material or shape changes your reading of neighbouring works. There is no requirement to understand everything at first glance; sustained looking can be the beginning of a conversation.
Talk from a specific observation
If an artist is present and available, a concrete question often opens a better conversation than a request to explain the entire work. Ask about a material, a decision or a detail you noticed. Give other visitors room to look, and ask before taking or sharing a close photograph when the venue’s policy is unclear. Credit artists when sharing work online.
Bring that attention back to your studio
After visiting, write down one display choice that worked well and one question you want to explore in your own practice. Exhibition visits can help you prepare an application, but they are also a chance to meet other ways of making. Browse the full Paris photo archive to see more of this past opening.

From our artist submissions: Yara Weheba

In a separate submission to Arrival, photographer Yara Weheba shared E—R—R—O—R—R—R, a long-exposure work from 2025. Her practice centres on visual storytelling. We are featuring the submitted image here as another invitation to slow down and look; this feature does not identify her as a participant in the Paris show.
This work was shared through Arrival’s submissions. The exhibition photograph documents a separate past show.